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Die Toningenieure des Jahres 1956 wussten auch 30 Jahre nach Erfindung des Radiospiels, was sie taten. So nahmen sie im Studio die Sprecher rĂumlich auf, also in unterschiedlicher, variabler LautstĂrke. So hĂrt man bei Szenen in geschlossenen RĂumen die Sprecher 8222;nĂher kommen8220; oder in verschiedenen Entfernungen vom 8222;HĂrerstandpunkt8220;, dem zentralen Mikrofon, stehen. Die Wirkung ist die eines dreidimensionalen Raumes, die nur durch das GehĂr erzielt werden kann.

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